That said, I absolutely loved The Magicians Land. Grossman did the finale justice. I felt that the ending was very original and well thought out, and it was so satisfying to watch grown-up Quentin not f*ck up everything. I'm so proud of him, and I really feel like he deserved his ending. That said, I do have a few quips about it: I didn't like
Movie Description: Mia, an aspiring actress, serves lattes to movie stars in between auditions and Sebastian, a jazz musician, scrapes by playing cocktail pa
This manga is about purpose. Holyland is a purpose, a place that you must defend like a knight, because you got no other choise. Thats what the MC is and we see him constantly fighting at times even if he doesnt want to. Later on we see that the environment is trying to swallow him up because of his talent, some guys trying to use him as their
This ending feels bittersweet and unexpected, but La La Land's opening number subtly foreshadows the film's final scene, as noticed by u/youvebeenshyamalaned on Reddit. Related: Emma Stone's Best
Fa la la la la la From a flow'ry bed to the clouds ascend Tumble down again Fa la la la la la Yet with each descent do we rise again To our hearts' content Fa la la la la la Fly away my friend for a day and then We'll begin again Fa la la la la la Till down turn the skies Wonted quiet, wanton silence For long do we lie Wond'ring when we'll be
Otherwise, La La Land was the better movie in pretty much every aspect of film making IMO. Like it didn't have any supporting performances as great as Mahershala Ali's, but kinda hard to hold that against the movie whereas it didn't even really have a need for supporting characters. Pitch Perfect 3. La La Land. Rock Of Ages. Mamma Mia! Mamma Mia! 2. The Pick Of Destiny. Can a song save your life. This Is Spinal Tap. Spinal Tap: Back From The Dead. La La Land is about the tension between dreams and reality, between what we want and what we're capable of getting, between ambition and practicality. Stylistically, the film embodies this wholeheartedly- the old fashioned "Song and dance" vibe is consistently and intentionally undercut by moments of contemporary realism- both tones exist If so, then La la Land is a must see. It's just well done on every level: the acting is smooth, natural, and very expressive, the dialogue is snappy and funny yet emotional when it needs to be, the direction is incredible with how complex some of the camera movements are, the colors in the shots are gorgeous, the characters are extremely Joel's memory of Clementine is so beautiful and it hurts that they'll fall in love with each other every single time. The ending is just simply amazing (soundtrack is amazing, cinematography is SO SO beautiful). I loved La La Land because of similar reasons as above. This movie deals with dreams and love, but it's not really typical.

In La La Land, Chazelle chose to sharpen the clash between love and ambition. He does so in three ways: He does so in three ways: By making the choice to leave love behind the woman’s choice, rather than the man’s, brilliantly (in the commercial sense) situating the film among the emerging and popular female empowerment dramas in which

At the end when Mia is about to leave Seb's but pauses to make eye contact with Sebastian, there's a really beautiful moment where her face is lit with purple, then she turns and it's blue. It's basic but effective as fuck.

La La Land will have a trajectory nothing like Spotlight. Spotlight has no rewatch value. It's a workmanlike movie shot like it was made for TV. It won because of its message, not because of its craftsmanship. The opposite can be said for LA La Land. 0. [deleted] • 7 yr. ago. Spotlight is worse than La La Land. 0.
Sweeney Todd: The Demon Barber of Fleet Street (2007) Tim Burton’s Sweeney Todd: The Demon Barber of Fleet Street has very little in common with Damien Chazelle’s La La Land, but they are both modern Hollywood blockbuster musicals complete with catchy songs and actors doing their own singing. Johnny Depp stars as a barber in Victorian
MBum.
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